These are not the exact settings used by Gilmour, but can be used as a starting point to get you closer to the tone. Now we’ve been through the basic controls and settings on your amplifier, let’s take a look at some of Pink Floyd’s most popular songs. Chorus, phaser, octave and wah are also very useful for a lot of songs so if you already have them in your collection then make sure they’re plugged in!Īmp Settings for Popular Pink Floyd Songs Delay and reverb are useful to give the tone more depth and are essential in a lot of solos if you want the closest match possible. Using a fuzz pedal is a good idea if you want to sound more like Gilmour, as he often used this instead of a distorted amplifiers. Make sure you also check out the brand-specific amp controls guide which is relevant to you, to get the most from your rig: Decreasing it will favour the bass and increasing it will favour the treble.Ĭheck out my in-depth guide to amp settings if your amplifier has additional controls that you’d like to learn how to use effectively. If your amp just has a single EQ/ tone control then have it in a balanced position (midway) and adjust from here. If it’s too harsh then you can decrease it, or you can increase it to give your tone more definition. A good place to start is on around 4-5 and adjust from here. The setting you should use really depends on what pickups you’re using and your amp itself. The treble control adjusts the high-end frequencies and affects how bright, crisp and clear the tone is. If it’s interfering too much with the vocals then lower it and if it sounds empty then increase it. For most songs you’ll want to start with this on moderate-high so start at around 7 and work from here. The mids control is very important and affects how full the tone is. If it sounds a bit too loose and muffled, lower it and if it sounds thin then increase it. The bass control normally sounds best around midway so start at about 5 and adjust from here. The more bass there is, the more “boomy” and looser the tone will be. The bass control adjusts how much low-end the tone will have. Some amplifiers have a single tone/EQ control whereas others have individual bass, mids and treble controls which allow you to shape the tone a bit more freely. You may also want to use a pedal instead for your gain as David Gilmour often used a fuzz pedal (more on this later). If you’re using a solid state amplifier, you’ll want to start at around 4-5 for songs like Another Brick in the Wall, slightly lower for songs like Money and as low as 2 for songs like Shine On You Crazy Diamond. If you’re using a tube amp, you’ll need to crank it so it is mildly overdriven but not distorted. The amount of gain you’ll need really does depend on the song and what type of amp you’re using. If you’re using single coil pickups, you’ll need to compensate by boosting the mids and bass on your amp more and cutting the treble, whereas if you’re using humbuckers then you’ll need more treble and less bass and mids. In general, you’ll want low-mid levels of gain, a boosted mid-range, and a bit more bass than treble. They of course will vary from song to song and depending on what equipment you’re using which we will address a bit later on. Before we jump into some specific songs, let’s go through the basic controls and explain where is a good place to start.
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